Posted by: Katie B | March 2, 2010

March Madness is not just for Basketball

Yes Writers, there is a place for you in March.  Just look at all these great activities you can take advantage of!  So get yourself up off the couch and put down the clicker.  Basketball will be on again tomorrow.  And the next day.  And the day after that.  And, and, and….

Tuesday, March 2nd:  Writing for Children Forum at the New School:  Marketing and Selling Your Book.  6:30pm.  This Writing for Children Forum focuses on how to market and sell a book geared toward a young audience.  Panelists Camilla Corcoran, National Accounts, HarperCollins; Kate Kubert Puls, publicist and author manager; and Sharon Hancock, Marketing, Candlewick Press,will discuss these topics with Deborah Brodie, freelance editor.  Location:  Alvin Johnson/J. M. Kaplan Hall, 66 West 12th Street, room 510.  Fee:  only $5!!!  http://www.newschool.edu/writing/events.aspx

Saturday, March 6th:  Critique Group Meeting, Westfield Memorial Library, Westfield, NJ.  Start time:  9:30am.  Interested in having your peers review your work in a safe, comfortable, and informative environment?  Never been to a critique group but want to see how it works?  Contact Katie at katieb430 (at) verizon (dot) net.  We welcome new writers as openly as experienced authors. Join us today!

Monday, March 15th:  SCBWI Grant Submission Due.  If you have a well polished start to your work, it is worth your time (topic of another post!).   Check out the details online.  http://www.scbwi.org/Pages.aspx/Introduction

Saturday, March 28th:  Mentoring Session:  Offered by the New Jersey Chapter of the SCBWI.  9:00am – 5:00pm, Princeton Theological Seminary, Stuart Hall, Princeton, NJ.   Price includes:   Continential breakfast, lunch, 20 minute one-on-one critique, peer group critique, first page session and Q & A session with various agents and editors.  I attended one last year and was blown away by the talent pool of both my writing peers and the professionals who mentored.  Well worth the time and money!   http://www.newjerseyscbwi.com/events/100328.shtml

Posted by: Katie B | March 1, 2010

Contests: Really, you have nothing to lose…

The Chairs

I mention to my family that  I am submitting to two writing competitions at the beginning of 2010 and they ask, “Where’d you get your confidence from?”  Confidence?  Not really.  More like stomach knotting anxiety.  But honestly, I have nothing to lose.  And the key is that all submissions and responses are NOT done in person.  Phew!  They have no idea who I am, and I will never meet them.  I can handle rejection better when it is NOT face to face.

So I suggest you give it a try.  There are some potentially huge upsides:

First:  It gives you submission practice.  Like all activities, the more you practice, the better you get.  The better you get, the better chance you have of winning.  Every time I look at my cover letter, query letter, synopsis, etc. I see something else, something different.  Every time it gets stronger.  Wouldn’t you rather work out all your kinks on a blind contest submission over the one that really matters to your perspective agent???

Second:  You might get money.  No further explanation needed.  And any amount is fine to me!  It is better than what I am earning now as a writer.  The first contest I entered pays out $25.  Fantastic!  Next coffee outing will be on me!

Third:  RECOGNITION.  Wow – this is a big one.   For a first time writer, this is huge.  Most contests publicize their results and depending on the contest, agents and editors are watching.  You might get an excerpt of your work published through the organization and an agent or editor might see it.  You will have a bona-fide credential for your bio, not the death slap ‘my mother liked it and I thought you might like it too’.  Publicity, networking, validation:  these are all your potential benefits.  Wouldn’t it be worth a try?

So where are the contests?  With a little research online and through the writer’s reference bible “Writer’s Market”, you will be sure to find one that fits your specifications.  Here are the two I recently submitted to:

Women Who Write of Madison, NJ publish an annual literary magazine, Goldfinch.  Their submission period is from November 1st through December 31st.  There is a nominal cash award for the top prose and poetry submissions.  But better still, if you are selected, you get your piece published!  http://womenwhowrite.org/goldfinch/

SCBWI (Society for Children’s Book Writers and Illustrators) has several grant and award opportunities.  Their submission period runs from February 15th to March 15th.  Winners can take home up to $2000 (!!!).  Even more exciting is that the NATIONALLY known SCBWI announces the results to the entire children’s publishing community.  Okay, admit it, you feel the butterflies, too.   http://www.scbwi.org/Pages.aspx/Introduction

So, what are you waiting for?  Get out there and let me know how it goes.  I get inspired from good news (subject of a previous post!).

Posted by: Katie B | February 1, 2010

February Does Have A Lot To Offer…For Writers!

Cold and nasty outside?  Then march yourself over to one of these warm and exciting events for writers this month.  All of these are taking place in New York City or New Jersey, my home state.  Need something closer to your home?  Check your local universities or writers associations!  I’m sure they have some better ways of spending your time than moaning about the weather.  Get involved and before you know it, spring will be here…and…maybe, just maybe, it will bring a finished, polished manuscript along with it!?!

Saturday, February 6th:  Westfield, NJ critique group meeting for young adult / childrens writers at the Westfield Memorial Library, 9:30am – 11:00am.  Interested in having your peers review your work in a safe, comfortable, and informative environment?  Never been to a critique group but want to see how it works?  Contact Katie at katieb430 at verizon dot net.  We are open to new members!

Tuesday, February 9th:  Writing for Children Forum at the New School:  How Agents Work.  6:30pm.  This Writing for Children Forum focuses on how agents work to support their clients and create long-lasting successful careers for published authors. Agents Tracey Adams and Josh Adams, of Adams Literary Agency, will discuss these topics with Deborah Brodie, freelance editor.  Location:  Alvin Johnson/J. M. Kaplan Hall, 66 West 12th Street, room 510.  Fee:  only $5!!!  http://www.newschool.edu/writing/events.aspx

Saturday, February 20th:  Picture Book Seminar with Sudipta Bardhan-Quallen at the Bernards Township Library from 2:00 to 5:00pm.  Attendees are encouraged to submit a Picture Book Manuscript for review.  This event is sponsored by Women Who Write, Inc.  Want to find out more about what they do?  Visit:  www.womenwhowrite.org

Wednesday, February 24th:  First Page Session with Chris Richman, Agent, Upstart Crow Literary Agency and Rebecca Frazer, Editor, Sourcebooks.  Have the first page of your manuscript read aloud by volunteer readers and then the two agents / editors will give their critiques!  From 4:00pm to 6:30pm at Mackay Hall, Princeton University, with an optional dinner with the agents / editors following.  Sponsored by the SCBWI, New Jersey Chapter.  Want to learn more about what they offer?  Visit:   www.scbwi.org

Saturday, February 27th:  Roundtable with Published Authors, 2:00pm – 4:00pm at the Morris County Public Library.  Anyone interested in learning how to become published, either via a traditional publisher or a self-publisher, is invited. This event is free and open to the public.   Sponsored by Women Who Write, Inc.  Interested in learning more?  Visit:  www.womenwhowrite.org

Posted by: Katie B | January 15, 2010

How to Write a Book: Item #3: Inspiration

The Boardwalk

How do you actually write a book?  Well, you have to be inspired, right?  Sounds simple.  Inspiration.  I mention it a lot.  I know I need it.  I know it comes to me.  But I don’t really understand what it is, or how to consistently have it available.  That is the challenge.

In order to write, you have to find what inspires you.  Again, sounds simple – kind of.  Music inspires me, most of the time.  Beautiful landscapes inspire me but in more of a spiritual way, not in a way that makes me grab the pen.  Reading about high school and college classmates’ achievements inspire me, especially if they are in the arts or entertainment fields.  The jealousy that arises (yes, I’ll admit it) drives me to write, but the catalyst isn’t positive.  And my writing reflects it. 

Once you find the inspiration, you need to be able to chanel it at will.  This is, in my mind, that hardest part.  The inspiration always comes upon me when I am away from the computer.  Lot of good the musical inspiration does my writing when I am stuck in traffic on the parkway.  And by the time I sit to write, poof!, it is no where in sight.  Where did it go?  Why can’t I get it back – right now!  I’m ready and waiting, but it is no where in sight.

So what to do?  I actually don’t quite know.  When you find out, please share the info.

In the meantime, here is one suggestion:  I saw Miguel Gutierrez and the Powerful People perform their piece “Last Meadow” at the Abron Arts Center, Grand St, Manhattan last Friday night.  Wow.  If you ever have the means to see one of Miguel’s pieces, run, don’t walk.  To make sure you don’t miss him, join his group on Facebook.  You’ll get emails regarding his schedule and upcoming events.  What an inspiration. 

My mind was on fire watching his show.   These incredibly talented performers move through a sequence of uniquely original acts, taking hold of the subconscious creative vortex of your brain.  You can’t stop.  You are awakened, inspired, in a positive and enlightening way.

I took that sensation and was able to parley it into writing.  And it lasted for a few days, a rare treat.  So my suggestion to you is to find your Miquel and piggyback on his creativity.  He won’t mind.  He will probably be flattered.  And then share what you found.  We will all be thanking you!

The Morning Tide

The mantra you hear repeated most often when asking for advice on writing from agents, editors, publishers, and the like is “you must read and write every day”.  If not, you are told, you will fail.  Ouch.  I’ll touch the “read every day” part on another post.  But the “write every day”, that’s a tall order.  And it is definitely a myth.  My advice to you, do not let your inability to write every day ruin your desire to write at all.  Honestly, who has the time or the lifestyle to allow for writing everyday?  I tried to write yesterday but ended up spending two hours on the phone with Verizon trying (and failing) to clear up a billing error.  When I was done, my mood was not conducive to flawless writing.  (And if you are a Verizon executive reading this, please contact me.  One of your agents was so belligerent, you do not want him representing your company.)

But I understand what they are getting at.  Writing is a craft.  You must practice your craft, like any other artisan, if you want to improve.  Not to mention, if you want to finish a novel, you have to make the time to write it.  But do you have to write every single day?  Will you honestly never “make it” as a writer if you don’t?  Is your dedication to the craft any less if you can’t?  I suggest not.

My dedication is strong.  And on the days life refuses to let me carve out a moment in time for my craft, I get cranky. Really cranky.  But that doesn’t mean I stop or that I get kicked out of the game.  It means I have to work harder at finding the time on another day.  Or another week.  Or another month, depending on how long it takes me to worm my way back into the writing routine.  It also means it will take longer for me to finish my work.  Sometimes, a lot longer.

I love the book How to Write & Sell Your First Novel (on my blog list), but I laugh at one premise.  It proclaims that in order to write a book, you must write three pages every day for ninety days.  In the end, you will have a perfect 300 page draft of your novel.  It is an honorable goal.  And it is true; you would have a novel in only 90 days.  When I first read that section, I thought, “90 days, that’s a long time.  I’ll never need that much time!”  Two years later, I am finally finishing my conclusion.  Wow.  90 days.  I wish.

Can you image what would have happened if I had stopped when I failed to accomplish the premise of the book or the advice of every professional I have spoken with?  Granted, I did not complete the book swiftly.  But after two years, I do have a book.  If I had stopped after the 90 days, or on whichever day I first failed to write, I would have nothing.  I’d rather have a book that took forever to write than nothing.

If you can’t write every day, it’s fine.  It only means your project will take you longer.  You might need to backtrack, you might forget where you were going, you might change a section completely.  As long as you keep thinking about your project and don’t give up, you will get there.  I promise.  And the longer it takes, quite frankly, sometimes you need a break.  When you return to the project, your ideas are fresher and you are more determined.

So, please, keep writing whenever you can.  And don’t stop forever if you can’t.  Just imagine if Margaret Mitchell had quit.  The world would be a little duller without her magnificent ten year project, Gone With the Wind, wouldn’t it?

Sea Oats

The hardest part of writing, for me, was finding the right place to work. I tried everything – wanting the perfect spot. And that was my biggest downfall. Granted, as my project evolved, my requirements changed. So it would make sense that the best place for me to write would change as well. But I had this ideal in the beginning, and if I hadn’t held on to this image of the “writer in her space writing”, then I would have found my ideal work spot earlier. Which happens to be at the dining room table in my 13′ by 13′ cramped dining room, in my drafty, old, creaky, 1920’s colonial, surrounded by the bills, SpongeBob, the children, the homework caddies, the piano (yes it is in the dining room – we have no place else to put it), and now, because of the season, the Christmas tree. The computer shares the extension cord with the tree, and if I stretch, I can knock down a glass bulb for fun. And it works – great.

But how is that possible? I started out at the coffee shop. Because that is where you are supposed to write. But honestly, there was never enough room for all my stuff, and while the energy was inspiring, the people watching was way too distracting, and I always panicked about coffee spilling on the computer (mine or others!).

Then, I tried my fantastic, converted attic, complete with eaves, peek-a-boo windows, and leafy treetop views. Not to mention great sunlight. But it was too far away. I found myself not getting up there for days at a time. Out of sight out of mind.

Last – there was the library, which was great. Good space, large worktables, endless supply of information, perfect light, energy of people with a balance of privacy and quiet. But – I couldn’t help wanting to nap. Very reminiscent of college. That or wander. Also reminiscent. It just didn’t hold my butt in the seat for very long.

So I shuffled back home and made the plunge. I forced space for myself in my own home in the middle of the chaos. I read somewhere that Stephanie Meyer dragged her writing desk into the middle of her living room so she could watch the kids and work on her ms at the same time. I never understood how she managed to focus on the work with all that distraction. But then I realized, all my other options were equally as distracting, none were proving any better. So I gave it a try.

At first, it did not work. It took a long time to get used to trying to work in five minute chunks in between other obligations. My papers became coloring pads, they are covered in juice rings, and my vocab list has “I Love You Mommy” scrawled all over it (which I now love, but at the time I had lost my sense of humor on the issue). But since I wasn’t getting to run away for hours at a time to write in perfect bliss, I wasn’t missing anything. Not to mention, my novel was always in my head. I became better at stepping away and continuing to write the next section in my mind. When I could sit down again, the words flowed. I actually wrote more this way than I ever had before with my “Designated Writing Times in Designated Creative and Perfect Writing Spaces”, because the computer was always available.

In the worst possible environment, I found a place I could sit. Or try to sit. Or want to sit in – most importantly. I crave slipping into the hard, wooden, high-backed chair. Like a well trained dog, it means creative time to me. There is a trigger now between my butt hitting the chair and my fingers flying. And even when I can’t sit, I can look at it. Which on some days reminds me of how much work I am not doing, but on other days is an inspiring tease.

So, if you can, find yourself a place to sit. Don’t try to make it the perfect place. It just has to be a place that works for you, whatever that is. And every time to return to it, your body will know what to do, like a well trained athlete. And you might find you enjoy talking to the Webkinz that are staring back at you. They have some good insight.

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